Hi and welcome, I'm Fatima!
I believe design is more than just visuals; it’s a way to connect, to express who we are, and to make space for stories that matter.
I believe design is more than just visuals; it’s a way to connect, to express who we are, and to make space for stories that matter.
For me, good design isn’t just about how something looks; it’s about how it feels, how it functions, and who it reaches. I’m passionate about creating art that’s easy to understand, inclusive, and welcoming to all.
Art has always been my way of understanding the world and connecting with others. As a designer, I’m not only interested in bringing my ideas to life, I’m equally passionate about bringing others’ ideas and visions together. I believe that’s what makes a great designer: the ability to listen, understand, and transform collective vision into meaningful design.
Thank you for being here. I hope you find something in my work that resonates with you!
This is a personal logo I designed as a reflection of my cultural and religious identity.
The abstract form is inspired by the Bengali letter ফ (Pha)—the closest phonetic equivalent to the letter "F" in Bengali, and the first character used to write my name, ফাতিমা (Fatima). As a Bangladeshi, it was important for me to create a mark that connects with the way my name is written in my native language.
The abstract form is inspired by the Bengali letter ফ (Pha)—the closest phonetic equivalent to the letter "F" in Bengali, and the first character used to write my name, ফাতিমা (Fatima). As a Bangladeshi, it was important for me to create a mark that connects with the way my name is written in my native language.
The crescent shape above the letter draws from the Bengali alphabet as well, where a similar mark is used to connect letters—functioning like an apostrophe. At the same time, the crescent is a widely recognized symbol of Islam.
Surrounding the central mark is a circular pattern of dots, inspired by traditional Mehendi (henna) designs—specifically the style often applied to the palms in South Asian culture.